Enjoying an idle Christmas moment experimenting with inputting song titles to Stable Diffusion.
I picked the album ‘R Plus Seven’ by the American Musician Oneohtrix Point Never. The record sounds like it was created by an AI, half remembered pop from a distant future or parallel universe. It has opaque song titles. I chose ‘Chrome Country’ for its shortness, opposing, ambiguous and visual qualities. In Stable Diffusion it becomes terrifically volatile, throwing the algorithm into a right old state. The results are mysterious and specific. Whatever or wherever Chrome Country is, there is history and a narrative. It is an American, predominantly rural landscape full of American tropes, kludged together with copyrighted material from the internet, haunted by Google Chrome (which it probably wouldn’t have been so much in 2013 when the record was first released). Harley-Davidson’s, a chrome plated Bruce Springsteen playing guitar on the prairie, frontier territory, the West, Westworld, wild cybernetic chrome horses with wheels, indigenous people, rust belt territory, farm machinery, futuristic sculptures in the middle of nowhere, several bicycles and possibly a bike repair shop called ‘Chrome Countttry’ in a remote town, an unknown language, misspellings, weird typefaces and so it goes on down the rabbit wormhole.